Into the Sun: Chapter 6: The process of creating the drawings adds another layer to the story, as the images themselves evolve. I use a liquid fixative in the water and rely solely on pen ink and my fingers to draw, carefully exploring the variety of marks and washes achievable on the paper’s surface. The paper is 300 gsm inkjet paper, which speeds up the drying process without compromising the precision of the marks. However, spilling water or immersing the drawings is not advisable, as the washes will run and vanish, leaving little trace.
Perhaps this is a reflection on how the fragile and ethereal aspects of the human spirit can be commodified. Drawings can range from precious to crude scribbles and may be irreverent or worth very little. Yet they convey a message of hope—that each day is a new beginning, offering fresh opportunities and the chance for further adventure at any age. Everything in life has value to someone, but ultimately, the keeper of the drawing decides its worth.
Much credit goes to Emma, Craig and Alba for their continued support, optimism and input. “Into the Sun” came about almost by chance while I was spending time with my family and my eight-year-old granddaughter, Alba. She often led the way into the woods with their two dogs, Arnie and Lok, in tow—walking, wondering, brimming with ideas, and always adventurous.
Into the Sun Video Shorts Playlist: https://youtube.com/playlist?list=PLQteKPuE8QuMCmTgR5qOZDk42m5HatHcX&si=RieZN4QudUbyuNIm
Derek Hill Video Shorts YouTube Channel: https://www.youtube.com/channel/UCEncWmw9aBoL4KFf-96boeA
Work Archive: https://www.derekhill.co.uk/work/
