Flaw, 2009. Oil and mixed media on canvas, 2.5 x 3 metres.
Derek Hill, an RCA-trained practitioner from the North East of England, has a well-established reputation for public engagement. Hill founded The Art Studio in Sunderland in 1986 and served as its artistic director for 26 years before moving to his current studio in 2012.
Hill received widespread acclaim for his pioneering work at the Art Studio, including recognition from The Daily Telegraph and the Association of Business Sponsors of the Arts. In 1996, Arts Council England and the City of Sunderland commissioned the installation book for the Visual Arts UK Initiative. His work has been exhibited in London, Oxford, Glasgow, Paris, and Belgrade and is held in both private and public collections, including the Imperial War Museum in London. He has appeared in national publications including the Telegraph, the Observer, the Arts Council’s “96 from 96,” Arts Review, and Flash Art International, an online magazine. Notes on development and studio practice: https://www.derekhill.co.uk/current-paintings-2024/
http://www.derekhill.co.uk/about-derek-hill/awards/
http://www.derekhill.co.uk/reviews-exhibitions/
In 1983, he had his first solo exhibition, “Victory and Defeat,” at the Imperial War Museum in London, which was curated by Angela Weight, the keeper. Hill was invited by Julie Revelle, Head of Exhibitions, to stage a solo exhibition of his paintings from his ongoing project, Flaw, in the Myles Meehan Gallery at the Darlington Art Centre in 2009, and by Outi Remes, Head of Exhibitions, at the Bracknell Galleries at Southill Park Art Centre in Bracknell, in 2011-2012.
http://www.derekhill.co.uk/work/cat/flaw
http://www.derekhill.co.uk/wp-content/uploads/2018/01/FLASH.docx.pdf
https://www.axisweb.org/p/outiremes/workset/200581-flaw-the-new-work-by-derek-hill/
From “Flaw” 2009: Oil and mixed media on canvas, 2.5 x 3 meters.
Flaw and other works.” Derek Hill works like an alchemist. His studio is a magical place where he conducts his experiments. It is a cavernous roof space with alcoves and wooden stairways on every side. Overhead is a tangle of huge wooden beams with an occasional fluttering pigeon, and in the middle is a great irregular space. Paintings are everywhere. They are slotted in rows into every alcove. They cover the floor with sheets of polythene. On the narrow strips between them are pots and tools, and there’s not much room to walk.
Derek’s alchemy consists of making combinations from his remarkable storehouse of materials and deploying his immense compendium of techniques. His images are drawn, poured, and painted in a meticulous sequence of actions balancing chance and control. Some of his canvases are like microscopic biological processes expanded to a massive size. Others appear to be vast geographical processes made to happen in a few square feet. They are lucid and mysterious, generous and intense, majestic and, literally, wonderful.” J. Millard (former manager, Liverpool and Newcastle Museums)
From ‘Flaw’ 2016 to 2019. 2.5 x 3 m oil and mixed media on canvas.
Hill has been collaborating with scientists on the ‘Shifting Worlds’ project since 2016, which is still in progress. A selection of his most recent paintings and films are currently on display at Newcastle University’s Centre for Bacterial Cell Biology (CBCB).
https://www.ncl.ac.uk/cbcb/about/engagement/
https://www.thecrackmagazine.com/view-editorial/6880
From ‘Flaw’ 2016–2019. Oil on canvas, 1.6 x 1.6m
https://www.youtube.com/playlist?list=PLEaXqBBNmccqIWlSfvFIDI9xUzy1doF3C
From ‘Flaw’ 2016–2019. oil on lace on canvas, 1.8 x 1.8 metres
From ‘Flaw’ 2016–2019. oil on lace on canvas, 1.8 x 1.8 metres
From the series ‘Flaw’ 2016–2019. Oil on lace on canvas.
From ‘Flaw’ 2016–2019. Oil on lace on canvas
From ‘Flaw’ 2016–2019. Oil on lace on canvas
http://www.derekhill.co.uk/work/cat/flaw