Feathers & Lace on copper. I use different grounds for etching, including soft and hard ground, for transferring flat objects and images onto metal. I also incorporate aquatint, sugar-lift, and line drawing techniques.
These grounds serve as acid-resistant layers to prevent metal erosion. In a way, this process involves working backwards, or approaching the task from a negative perspective, to achieve a positive outcome. I employ this method of thinking when I paint or draw with inks. The material I use for etching also serves as a resource for painting.
The works reflect everyday life, with various components contributing to the energy and organic nature of my painting. The narratives I create combine forms and shapes that add meaning to daily experiences. My collection, including “Feathers & Lace” on copper, is available for public and private exhibitions.
I use nitric and hydrochloric acids, each possessing unique properties. One penetrates broadly, while the other targets metal directly. Sometimes, I apply a Dutch mordant for a slower bite on copper, resulting in deep, black prints with clean edges.
The ground I use remains intact in the acid, enabling me to brush away bubbles precisely. I treat etching in acid like painting and drawing, while appreciating the personality of the printmaking medium.
I typically use 250- to 300-gram paper, choosing between velvet or rough depending on the subject.
The works range in size from 30cm x 30cm to 50 cm x 50cm
