Feathers & Lace on zinc.
Zinc, being softer than copper, allows me to use various etching grounds. I work with both soft and hard ground techniques to transfer certain materials onto the metal’s surface, including aquatints, sugar lifts, and line drawings, as well as lithography methods.
The materials I use, such as aerosols, are acid-resistant and help create defined edges, acting as barriers to prevent metal erosion. This negative approach ultimately leads to a positive result.
I apply this visualization process when painting or drawing with inks, using the same objects for both etching and painting inspiration.
I use characters and gestures to convey narratives, which might not always be immediately recognisable. These elements represent everyday life expressions, whether viewed individually or as part of a series.
My printmaking and drawing express the role of existence, complementing the organic nature of my painting. The “Feathers & Lace” collection on copper, along with others, is available for public and private exhibitions.
I work with nitric and hydrochloric acids, each with unique properties. One acid bites broadly while the other penetrates directly. Occasionally, I use a Dutch mordant for a slower bite in copper, resulting in deep black prints with crisp edges.
The ground I use remains intact during etching, even when brushing away acid bubbles with a feather. Printmaking, like painting or charcoal, has its personality that requires collaboration for the best results.
I typically work with 250-300 gsm paper, choosing between velvet and rough textures based on the subject. The “Feathers & Lace on Zinc” collection is also available for exhibitions.
The works range in size from 30cm x 30cm / 50cm x 50cm / 45cm x 75cm.
